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Flayed

by Terra Firma

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1.
(instrumental) Dark woods, a marshy field, a woman is pulling her way through a seemingly endless land, Blood flows.
2.
Today marks the day, the first day it all started to fall apart. tearing limb from limb, reading poetry; it starts to not make sense anymore. I don't know if I can make it through this life. So goddamn! just let me stop, Just let me stop! Just let me stop! Just let me stop!
3.
Thought You 03:11
thought I was looking for something, thought I was looking for you. thought it was us to have, baby, I was wrong (I was wrong) thought it was us I wanted, baby thought it was me who could fix this mess! I was wrong, I was wrong! baby... think I love you, I think I love you think I love you oh. oh. oh. the love that you gave sustained me, sustained me, sustained me, baby. don't be led astray! don't be fooled, babe. babe. babe. can you blame it all? can you blame it all? babe.
4.
(instrumental) A whisper of a solution, the glimmering light.
5.
when your arms surround me, I can feel at home at last. when your arms surround me, I can feel at home. In your arms only. only....
6.
Immature 03:18
I should have known, I should have guessed. every morning I get up, my bones crack, my bones break oh, ooh. I should have known, I should have guessed, the old me, the me inside, should have known, should have guessed, ohh My scabs rip and tear, it bursts, and blood flows through ooh it flows you don't know! you don't know! you you don't know! (incoherent wailing)
7.
Nightwalker 04:52
you. you could have, you. you could have done so much better for me or you its an unfortunate little happenstance, flesh disconnects, mind disconnects. supported by the life-air we breathe, you and me. we will see rivers of flesh, exposed by brutal air. supported by the life-air we breathe, you and me. (repeats) THERE IS NOT SPACE FOR YOU IN MY LIFE IN MY HEART IN MY HOME IN MY MIND YOU WILL NOT TAKE THIS FROM ME bone after bone broken my will supported by the need to break free you. will. not. come. for. this. I have worked so hard! worked so hard! I- !
8.
(instrumental) The march forward through disaster, the will to move forward, self preservation, fog, a pilgrimage, the wound becomes a doorway.
9.
House Fire 01:49
I was with him when it happened. one thing led to the next. all so fast... the next thing I know surrounded by flames. uh-oh on and on and on and on
10.
Understand 01:58
you have me under a spell that you- then I was put under it all, it all. but there was no reason.
11.
Flayed 04:02
Flayed —---- Spoken word and piano - recorded in one take, improvised. ------- “I am interested in knowing what it would be like to know that I am deserving of the things I want, i think, well I know, that too often people with identities and bodies like mine become a sort of blank projection board for other peoples shame and the shame that ,you know, Society has whipped up around itself. I have become, and my body has become, the battle ground for other peoples shame, for other people to tear themselves apart. And it's not my responsibility to harbor that place within me. So I'm wondering with you, we are wondering together, what it would be like to imagine - being allowed to exist. And knowing that we deserve to be loved, not in spite of our identity or our differences, but because of it! Because of it…because of it. We are not different, you and I. And I cast off your shame. I cast off your shame. It is not mine! And this body is not yours to have your battle, to wage your battle, on inbetween or around. I am not yours, to project this shame. And I don't know why it's so hard for people like us to realize (things like) that! Let us imagine a space together where we know ourselves. And where we know that our identity does not have to cause suffering, that is a narrative that was invented to keep us down. Our bodies and our identities are unique, and they can cause joys, pleasures, and sensations that people will never understand, except us. And we need to love each other, lift each other. Hear me; and cast off That shame! I cast off your shame. I cast off your shame. And know that your love is here, with us. C’mon, let's imagine that together.”

about

When making art, music, or poetry, it's all a scrambling attempt to document the ephemeral "somethings" of the day to day. and often in the end you're left with this clumsy, weird, handcrafted blob.
then, you publish it.
it's not an exact transcription of your feelings, but it's an effort.
This album came out of a difficult period in my life, and I hope that for any listener, in my weird, clumsy, handcrafted blob, there is a little something to hold on to.
Thank you!

Link to album mood board (personal photos, drawings, etc.) : www.tumblr.com/terrafirmamusic

For those more curious about context, read below:

I started this album in the winter of 2021. Emotionally, I was in a bit of an in-between state. The previous summer I had officially come out as trans, and I had gotten myself into my first relationship as myself in this “new era” of identity. Everything was vulnerable, everything was new. This project also marks the first time, despite its still amateur/newborn sound, that I feel I took a real crack at creating a cohesive project. An album.

You could probably sort this record in the category of “break up album”, but to me it feels also like a moment of self discovery and self-assuredness amidst an ocean of insecurities of different sorts in my life at the time of creating it. A claiming of my space as a human, and as a person who makes things.

After a while the relationship I had found myself in grew toxic and fell apart. My ex-partner had a lot of internalized hatred and self-disgust, and eventually it spread over to me. It was my first time really experiencing the pressures of a learned "male gaze" and trans-misogyny. I unraveled completely. My identity and body shattered. It was confusing and intense. I met them at a vulnerable time in my life, and they took me into their hands irresponsibly, and hurt me badly. A lot of this record was made in a near catatonic depression, I would not go outside or talk to anyone for days, I would lock myself away, then edit/record tunes before I went to sleep when no one could hear me.

The one positive thing that that relationship did give me was a bit more of a solid feeling about my art. My ex was always very insistent that I had something special that needed to be communicated (thank you) , and in a lot of ways the idea of completing this record became a means of survival. If I could complete this record, then I will have lived, I will have overcome. Proved something. This record is my primitive stamp on the world saying “I’m here! I have something to say! and I’m alive!”.

The character I am playing on the album cover is that of the warrior. While writing this album, for the first time, an image appeared in my head to represent the sound of the project. A vast lake, with a deep pine forest on the other side, and within its depths, underneath stones, a woman awakening; covered in moss and wielding a sword. A vision I jokingly call my “transgender Joan of arc moment". This record is my way of saying enough is enough, a way to stand up for myself, despite feeling insecure about the sound, having been hurt, i choose to show compassion and create something out of it all.
My fighting spirit.

the ex's favorite constellation was "Orion", with his belt, shield, and club, sporting a strong stance, and onward gaze.
During the dissolution of this relationship, through lies, complexes, and high strung emotions, I would get angry at Orion for appearing above my house every night. That is until I realized the relation between the warrior in my vision, and the warrior character, Orion.
there was a sort of kinship between these two symbols.
Through that realization I was able to reappropriate Orion into my world, becoming the warrior archetype, filling that constellation with my own music/sonic world. I became “Orion” or “Joan of Arc”, as if to eat up my ex's toxic mindset and the pain they’ve caused, to digest the strife given to me as a trans person, the way that I am viewed societally, the way men and partners have treated me. I put my stake in my own land, and claimed space on behalf of my queer siblings and the person I wanted to become/was becoming.

making this, i always had a base to go back to. this little project kept me gazing forward.

Trans bodies and minds are not places for any bigotry or mistreatment to trespass. I do not want anyone to be the martyr with holy wounds, I want us to wield the weapon. I want us to take back autonomy, and share the fruits.
It has been a lot of work, frustrating at times.
As I said earlier, art at its most essential, one could say, is a scrambling attempt to document intangible things. And scramble I did! It is not an exact play-by-play description of the events that occurred, but rather a vague condensed ghost or impression of my experiences. However, loose lyrics, muddy sound and all, it's at least an honest ghost. A labor of love, a clumsy healing patchwork of sounds and songs.
As a young artist I hope to sharpen my skills and keep delivering these impressions to the world as long as I can, hopefully more developed as I go along.
To anyone who listens, thank you very much for your time and ears.
much love - Terra Firma

credits

released January 10, 2024

all production, performances, mixing, and vocals are done by Terra Firma at her home in WI.
recorded+edited from winter of 2021- fall of 2023

with the exception of "tiny hope" which is a short remix by an australian musician named Kas of a short instrumental by Terra Firma

photo of Terra Firma with a sword by Ryan Stevens.
additional cover photography and art by Terra Firma

a big thank you to Jay, Angel, Ryan, and my family for listening to all my insane ideas. and anyone else who gave me the time and the support. you are all invaluable.

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Terra Firma Madison, Wisconsin

"a singer-songwriter with a knack for experimental sound design"

I make noise/music projects for myself and sometimes like to share them with you. interested in what sound can do and convey, blurring the line between song and sound.
thanks for stopping in!
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